Patented gear for creators. Shipping worldwide since 2010.
One System.
Every Camera.
Every Phone.
Like your camera Outex is a system of separate, interoperable parts that work together. Compatible with: lights, tripods, mounts, triggers, domes, tethering, and more, even underwater.
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Sony A7R VI Waterproof Housing? Outex Takes The High-Res Powerhouse Underwater From Day 1
The new Sony A7R VI pushes high-resolution imaging into a new era with advanced AI autofocus, next-generation video performance, and extraordinary dynamic range. In this deep dive, we explore why the A7R VI is already turning heads among outdoor photographers, filmmakers, and hybrid creators — and how Outex waterproof housings make it possible to take Sony’s latest flagship safely into rain, surf, rivers, snow, and underwater environments from day one. Learn how Outex’s universal compatibility, optical glass ports, modular ecosystem, and lightweight travel-friendly design uniquely complement modern high-resolution mirrorless cameras and ultra-wide lenses for adventure imaging without compromise.
Photography On The Edge: Redefining Canyoning Imaging With Alex Arnold
Canyoning has long been considered one of the last frontiers of visual storytelling—a place where the environment was once deemed too hostile for professional gear. Today, creators like Alex Arnold are shattering that perception. By combining technical rappelling with high-end mirrorless setups, Alex captures the raw, cinematic beauty of Swiss canyons without the bulk of traditional hard housings. Discover how the Outex waterproof system provides the mobility and optical clarity needed to redefine what's possible in extreme outdoor imaging.
Waterproof Nikon ZR Cinema Camera: Universal Outex Waterproof System Matters More Than Ever
Explore how the new Nikon + RED Digital Cinema collaboration is reshaping cinema imaging with the Nikon ZR — and why creators are turning to Outex waterproof camera systems to take modern cinema cameras into surf, rain, rivers, pools, adventure travel, and underwater environments. From universal compatibility and optical glass ports to lightweight modular design and tether-ready workflows, discover how today’s hybrid filmmakers can shoot cinematic content virtually anywhere.
Fisheye Canon RF 7-14mm f/2.8-3.5L: Wide-Angle Lenses Are Great for Underwater Photography / And Outex Compatible
Mastering Underwater Photography: Why the Canon RF 7-14 mm L-Series is a great Underwater Addition to any content creator
When it comes to underwater photography, "wide and close" is the golden rule. Capturing the scale of a coral reef or the dramatic light rays of a cenote requires specialized glass that can handle tight spaces without losing edge-to-edge clarity. In this guide, we explore why the Canon RF 7-14mm f/2.8L has become go-to choices for professionals pushing the boundaries of immersive imaging.
Discover how the Outex modular system provides a seamless fit for these unique lens geometries. Unlike traditional hard housings that struggle with the specific dimensions of dual fisheye or ultra-wide zooms, the Outex Camera Pro Kitoffers the flexible seal and high-quality glass ports necessary to retain every bit of Canon's L-series sharpness. Learn how to optimize your settings, manage dome port placement, and leverage the agility of a lightweight housing to capture the world in a way standard lenses simply can't match.
Michelle Valberg: Infrared Underwater Photography | Outex
Award-winning photographer Michelle Valberg explores the unseen world of infrared underwater photography in Indonesia using her Nikon Zf, a Kolarivision infrared filter, and the Outex waterproof housing system. With optical glass ports ensuring uncompromised image quality and a lightweight, travel-ready design, Outex allowed Valberg to capture surreal, dreamlike images that reveal the hidden beauty of the ocean — in wavelengths invisible to the human eye.
Me Enseña Surf Film: Cinema in Minutes with Outex
Behind Me enseña — A Quiet Force in Frames
There’s a hushed intensity to Reagan Matthew’s short film Me enseña. It doesn’t grab you with spectacle — it invites you to lean in. Shadows stretch; silence lingers; a gesture, a glance, a flicker of expression carries weight. The narrative feels less like a story told and more like a moment lived, lingering just beyond the edge of one’s attention.
Matthew’s voice as a filmmaker is subtle but exacting. He trusts that the camera can convey what words cannot — the unspoken hurt, the tender reckoning, the moment someone learns (or is taught) how fragile our bonds can be. Me enseñabecomes a kind of visual parable: every cut, every hold, every nuanced shift in light or breath is deliberate. In those quiet places, the film finds its emotional gravity.
It’s this sensibility — the confidence in restraint, the belief in image over exposition — that marks Me enseña as a work to watch and unpack.